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ART

"Art and the Female Form", Mellow, Dialogue, Vol.3, N0 4, 1970.

"L'Artiste Moderne dans la Société", Rosenberg, Dialogue, Vol.1, N01, 1969.

"Farewell to the Avant-Garde", Woodcock, Dialogue, Vol.4, N03, 1971.

"The Universal Language of Children's Art and Modernism", Motherwell, The American Scholar, Vol.40, N01, Winter 1970-1971.

"Art in History", Gay, The American Scholar, Vol.41, N04, Autumn 1972.

"Reminiscences of a Print Collector", Rosenwald, The American Scholar, Vol.42, N04, Autumn 1973.

"The Tragic Dilemma of Modern Art", Van Ness, The American Scholar, Vol.43, N02, Spring 1974.

"Le Monde Turbulent de Red Grooms", Coppola, Dialogue, Vol.7, N04, 1976.

"Art: Popular and Unpopular Art" an exchange between W. Philips, R. Brustein, R.Krauss, & M.Wood, Partisan Review, No..3, 1977

"What is Art? An Interview with Harold Rosenberg", Tunin Partisan Review, N04, 1978.

"One Hundred Metronomes" (discusses definition of art), Cone, Dialogue, Vol.12, N02, 1979.

"Inside New York's Art World: An Interview with Robert Motherwell", Diamonstein, Partisan Review, Vol.46, N03, 1979.

"De l'artiste au producteur d'art: deux images du New Deal", Tissot, Revue Française d'Etudes Américaines, No. 7, avril 1979, (Special Issue: Art et Société aux Etats-Unis).

"Abstract Art and Middlebrow Modern" (discusses painter and sculptors), Moffett, Partisan Review, N02, 1983.

"Punk and Avant-Garde Art", Henry, Journal of Popular Culture, Vol.17, N04, Spring 1984.

"Academicians All: A Fragment of Cultural History" (on the American Academy and the National Institute of Arts and Letters), Schlesinger, Jr., The American Scholar, Vol.62, N04, Autumn 1993.

"Post Modernism in U.S. Art (1965-1980) and the Art in Weimar Germany (1918-1933)", Todd, Jr., Journal of American Culture, Vol.8, N01, Spring 1985.

"Art and Memory" (on modernism), Elderfield, Partisan Review, Vol.52, N04, 1985.

"Making America Modern: Alfred H. Barr, Jr. (director of the New York Museum of Modern Art from 1929 to 1967) and the Popularization of Modern Art", Cox, Journal of American Culture, Vol.7, N03, Fall 1984.

"Art as Money" (on art criticism), Rose, Partisan Review, Vol.55, N01, Winter 1988.

"Transatlantic Relations" (on Paris as ex-art capital) Perl, Partisan Review, Vol.55, N03, Summer 1988.

"Rubber Stamp Art", Nagourney, Journal of Popular Culture, Vol.15, N03, Winter 1981.

"The Tyranny of the Aesthetic", Sisk, The American Scholar, Vol.63, N01, Winter 1994.

"Art, Interpretation and the Creative Process", Wollheim, New Literary History, Vol.15, N02, Winter 1984.

"Jane Alexander Invites Her Troops" (on new task of saving the National Endowment for the Arts), Kurzweil, Partisan Review, Vol.61, N03, Summer 1994.

"Art and Science: Do They Need to Be Yoked?" (on art's relation to science), Steinberg, Daedalus, Summer 1986 (Art and Science Issue).

"Experimental Science and the Rational Artist in Early Modern Europe", Crombie, Daedalus, Summer 1986 (Art and Science Issue).

"Art and Authority in Antebellum New York City: The Rise and Fall of the American Art-Union", Klein, Journal of American History, Vol.81, N04, March 1995.

"Borrowing Regionalism: Advertising's Use of American Art in the 1930's and 40's", Doss, Journal of American Culture, Vol.5, N04, Winter 1982.

"America Through Colored Windows" (on stained glass art Frank, Journal of American Culture, Vol.5, N04, Winter 1982.

"Artists in Prison: Coloring Bleak Todays, Reforming Hopes for Tomorrow", Brewster, Journal of American Culture, Vol.9, N02, Summer 1986.

"Art in the Desert (of the American West)" (explaining art in Odessa, Texas), Sanderson, Journal of American Culture, Vol.14, N02, Summer 1991.

"Mass-Produced Art: Towards a Popular Aesthetics Lindauer, Journal of Popular Culture, Vol.25, N02, Fall 1991.

"Semiotics and the Social History of Art", Moxey, New Literary History, Vol.22, N04, Autumn 1991.

"At the Galleries" (commentary on painting, sculpture", Poons, Jacobs, Bleckner, Kounnellis, Wolfe, Horn, Cezanne), Wilkin, Partisan Review, Vol.56, N01, Winter 1989.

"Writing Leonardo Backwards" (interpretating Renaissance art in our time), New Literary History, Vol. 23, No. 1, Winter 1989.

"At the Galleries" (Davis, Lachaise, Tucker, Smith, Winters, Traylor, Louis, Porter, Heliker), Wilkin, Partisan Review, Vol.59, N03, Summer 1992.

"Feels Good, Can't Hurt: Black Representation on the Federal Arts Project", Fraden, Journal of American Culture, Vol.10, N04, Winter 1987.

"The Filming of Art", Wechsler, Daedalus, Vol., 114, No. 4, Fall 1985.

"Shigeru Matsuzaki, Works: 1992 & 1993" (reproduction of his drawings) The New Renaissance, Vol.9, N02, Spring p.28, (1995).

"Cultural Politics and Coercive Philanthropy", Brustein "At the Galleries" (Caillebotte, Twombly, de Kooning, Olitski, Goya, Redon, Moser, Ellis, McClelland, Smith) Wilkin,

Partisan Review, Vol.62, N02, Spring 1995.

"Art", (a folklorist's definition), Pocius, Journal of American Folklore, Vol.108, N0430, Fall 1995.

"Transformation in African Verbal Art: Voice, Speech, Language", Hunter, Journal of American Folklore, Vol.109, No. 432, Spring 1996.

"Why Are Our Pictures Puzzles? Some Thoughts on Writing Excessively", Elkins, New Literary History, Vol.27, No. 2, Spring 1996. (on visual art).

"Regimes of the Visual in Pre-modern England: Gaze, Body, and Chaucer's Clerk's Tale" (on the medieval representation of the Crucifixion), Stanbury, New Literary History, Vol.28, No. 2, Spring 1997.

"The Flags of Clotaire Bazile: A Description", Wexler; "An Interview with Clotaire Bazile" (an Oungan and Haitian Vodou Flagmaker), Wexler, Callaloo, Vol.20, N02, Spring 1997.

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