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DANCE / CHOREOGRAPHY
 | "Anna Sokolow: An Interview", The Drama Review, Vol. 14, N01,
Fall 1969. |
 | "Modern Ballet Dancer", Ann Halprin, The Drama Review, Vol. 13, N04 |
 | "The Dancer and the Dance", Fisher, P.M.L.A., Vol. 90, N03,
May 1975. |
 | "Post Modern Dance" Special Issue, The Drama Review, Vol.
19, N01, March 1975. |
 | "Dancers Dancing", Jeffrey, Dialogue, N050, 4/1980. |
 | "An Impertinent Innovator", Kendall, Dialogue, N052, 2/1981. |
 | "Portfolio: Experiments in Dance", Dialogue, N052, 2/1981. |
 | "On Dance", Olitski, Partisan Review, Vol. 48, N03, 1981. |
 | "Postmodern Dance", Copeland, Partisan Review, Vol. 50, N01,
1983. |
 | "Machine Dance: An Intellectual Sidelight to Busby Berkeley's Career",
Striner, Journal of American Culture, Vol. 7, N01-2, Spring-Summer 1984. |
 | "Scandal and the Dance: Salome in the Gospel of Mark", Girard, New Literary
History, Vol. 15, N02, Winter 1984. |
 | "A Response to Girard's Reading of Salome", Meltzer, New Literary History,
Vol. 15, N02, Winter 1984. |
 | "The Morality of Ballet", Copeland, Partisan Review, Vol. 53, N03,
1986. |
 | "Playing With Performance: The Element of Game in Experimental Dance and
Theater", Journal of Popular Culture, Vol. 24, Winter 1990. |
 | "Poetics for the Hip", Piedra, New Literary History, Vol. 22, N03,
Summer 1991. |
 | "The Image of the Ballet Artist in Popular Films", McLean, Journal of
Popular Culture, Vol. 25, N01, Summer 1991. |
 | "The Politics of Dancing: When Rock 'n' Roll Came to Austrailia", Sturma, Journal
of Popular Culture, Vol. 25, N04, Spring 1992. |
 | "The Elegant Passion (Ballroom Dancing)", Peters, Journal of Popular
Culture, Vol. 25, N04, Spring 1992. |
 | "Raks El Sharki: Transculturation of a Folk Form", Sellers-Young, Journal
of Popular Culture, Vol. 26, N02, Fall 1992. |
 | "The Pelvis as a Shock Absorber: Modern and African Dance", Epskamp and Geus, Journal
of Popular Culture, Vol. 27, N01, Summer 1993. |
 | "Going Bird Meets Cougar-Asleep-on-Tree-Branch" (a choreographer talks about
interdisciplinarity), Dunn, New Literary History, Vol.26, N01, Winter
1995. |
 | "Performance" ('ethnography is ... performative'), Kapchan, Journal of
American Folklore, Vol.108, N0430 Fall 1995. |
 | "Moctezuma's Daughter: The Role of La Malinche in Mesoamerican Dance", Harris,
Journal of American Folklore, Vol.109, N0432, Spring 1996. |
 | "American Country Dancing: A Religious Experience", Flinn, Journal of
Popular Culture, Vol.29, N01, Summer 1995. |
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