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Back to Search Page Music "The Revolution in Music", Salzman, Dialogue, Vol. 3, N04, 1970. "Folk Tradition and the Poetry of Rock", Bluestein, Dialogue, Vol. 4, N02, 1971. "La rencontre du jazz et du rock", Goldman, Dialogue, Vol. 4, N01, 1973. "La musique moderne: Le compositeur et le public,
Leonard Bernstein Influences asiatiques dans la musique occidentale, Chou Wen—Chung" Dialogue, Vol. 3, N04, 1972. "Signification de la nouvelle musique", Middletown, Dialogue, Vol. 3, N04, 1972. "L’ascension du rock", Goldman, Dialogue, Vol. 1, N03, 1970. "Music since Hiroshima: The Electronic Age Begins", The American Scholar, Vol. 39, N02, Spring 1970. "Gustav Mahler: Fad or Fullness of Time?", Gross, The American Scholar, Vol. 42, N03, Summer 1973. "Jazz Notes", Balliet, Dialogue, Vol. 6, N03, 1975. "The Voices of Time in Music", Schufdt, The American Scholar, Autumn 1976. "Duke Ellington: une couleur sonore", James, Dialogue, Vol. 7, N02, 1976. "George Crumb: La poésie et la musique", Henahan, Dialogue, Vol. 7, N04, 1976. "Country Music: le nouveau son américain", Dayton, Dialogue, Vol.8, N02, 1977. "Today’s Beethoven", Kerman, The American Scholar, Vol. 45, N01, Winter 1975—76. "Nadia Boulanger", Hoover, The American Scholar, Autumn 1977. "One Hundred Metronomes", Cone, Dialogue, Vol. 12, N02, 1979. "Le Nouveau Romantisme en Musique", Schonberg, Dialogue, Vol. 10, N02, 1979. "Memoirs of a Middle—Class Pianist", Edward Rothstein, The American Scholar, Vol. 48, N02, Spring 1979. "Le jazz et le Bel Canto", Pleasants, Dialogue, Vol. 10, N01, 1979. "Musique contemporaine: deux points de vue (1.) Critique de la cacophonie, Mandel (2.) Au—delà de la tonalité, Peyser" Dialogue, Vol. 9, N04, 1978."Keith Jarrett ‘s Music: Is it Jazz?", Collier, Dialogue, Vol. 12, N03, 1979. "Modern Music Turns a Corner", Lewens, Dialogue, Vol. 13, N01, 1980. "Philip Glass, Composer for the 80s", Bither, Dialogue, N051, 1/1981. "A Life in Music (Aaron Copland)", Rosenwald, Dialogue, N053, 3/1981. "A Lifetime of Listening", Schonberg, Dialogue, N054, 4/1981. "A Conversation with Arthur Berger", Coppeck, Partisan Review, Vol. 48, N03, 1981. "La fonction de contestation du Blues", Springer, Revue Française d’Etudes Américaines, N07, Avril 1979. MUSIC (2) "The Shape of Time in America’s Music", Chase. "Not Fade Away: Buddy Holly and the Making of an American Legend", Aquila, Journal of Popular Culture Vol. 15, N04, Spring 1982. "Learning the Fiddler’s Way", Owen, Journal of American Folklore, Vol. 95, N0377, July—Sept. 1982. "Bach at Potsdam", Bettman, The American Scholar, Vol. 52, N01, Winter 1982—83. "Conventions and the Production of the Popular Music Aesthetics", Journal of Popular Culture, Vol. 16, N02, Fall 1982. "The Saga of Lovin’ Dan: A Study in the Iconography of Rhythm and Blues Music of the 1950s", Zucker, Journal of Popular Culture, Vol. 16, N02, Fall 1982. "The Evolution of the Country Radio Format", Stockdell Journal of Popular Culture, Vol. 16, N04, Spring 83. "Teen Angel: Resistance, rebellion and death —revisited.", Denisoff, Journal of Popular Culture Vol. 16, N04, Spring 1983. "The Walrus and the Deacon: JohnLennon’ s Debt to Lewis Carroll", Journal of Popular Culture, Vol. 18, N01, Summer 1984. "Music Videos: From Performance to Dada—Surrealism", Lynch, Journal of Popular Culture, Vol. 18, N01, Summer 1984. "The New Friends of Music: Democracy Chamber Music and the Mass Audience", Weber, Journal of American Culture, Vol. 16, N04, Winter 1983. "Booster Song: Musical Manifestation of Lyric Pride in American Towns and Cities", Guion, Journal of American Culture, Vol. 5, N02, Summer 1982. "Jimmie Davis and His Music: An Interpretation", McWinney and Mills, Journal of American Culture, Vol. 6, N02, Summer 1983. "Sexism and Cultural Lag: The Rise of the Jailbait Song; 1955-1985", Huffman, Journal of Popular Culture, Vol. 21, N02, Fall 1987. "Madness and Society in the Street Ballads of Early Modern England", Wiltenburg, Journal of Popular Culture, Vol. 21, N04, Spring 1987. "Banjo as Icon", Shrubsall, Journal of Popular Culture, Vol. 20, N04, Spring 1987. "‘Why the Square’: John D. Rockefeller III and the Creation of Lincoln Center for the Performing Arts Goldin, Journal of Popular Culture, Vol. 21, N03, Winter 1987. "A Listener’s Guide to the Rhetoric of Popular Music’s Root, Journal of Popular Culture, Vol. 20, N01, Summer 1986. "Oral Tradition and Critical Song in Contemporary Germany", Arnold, Journal of Popular Culture, Vol. 15, N03, Winter 1981. MUSIC (3) "Has There Been a Sexual Revolution?: An Analysis of Sexuality Messages in Popular Music, 1968—77", Lance and Berry, Journal of Popular Culture, Vol. 15, N03, Winter 1981. "The Historical Images in Republican Campaign Songs, 1860—1900", Pickens, Journal of Popular Culture, Vol. 15, N03, Winter 1981. "Thai Music and Attitudes Toward the Past", Myers— Moro, Journal of American Folklore, Vol. 102, N0 404, April—June, 1989. "The Spirit of American Music: ‘Nobody Ever Told Me It Was the Blues’", Santino, Journal of American Culture, Vol. 5, N04, Winter 1982? "Two American Composers of the Early 20th Century: Amy Cheney Beach and Ruth Crawford Seeger", Thomas, Journal of American Culture, Vol. 5, N04, Winter 82. "An Evening with Louis Armstrong", Stein, The American Scholar, Vol. 59, N01, Winter 1990. "Bruce Springsteen and Narrative Rock", Douglas, Dissent, Vol. 32, N04, Fall 1985. "Opposition to Hegemony in the Music of Devo: A Simple Matter of Remebering", Bodinger—de Uriarte, Journal of Popular Culture, Vol. 18, N04, Spring 1985. "Has There Been a Sexual Revolution?: Human Sexuality in Popular Music, 1968—77", Lance, Journal of Popular Culture, Vol. 19, N01, Summer 1985. "Elegy for the Woodchopper (Woody Herman)", The American Scholar, Vol. 58, N03, Summer 1989. "The Dream Shattered: America’s 70s Musicals", Journal of American Culture, V012, N03, FALL 89. "The Minstrel Show and Australian Culture", Waterhouse, Journal of Popular Culture, VOl. 24, N03, Winter 1990. "Duellin’ Values: Tension, Conflict, and Contradiction in Country Music", Lewis, Journal of Popular Culture, Vol. 24, Spring 1991, N04. "The Community Musical (in the American West)", Carr, and Munde, Journal of American Culture, Vol. 14, N02 Summer 1991. "The Rhythmic Medium in African Music", Chernoff, New Literary History, Vol. 22, N04, Autumn 1991. "Music and Postmodernism", Edwards, Partisan Review, Vol. 58, N04, 1991. "McCatney or Lennon?: Beatle Myths and the Composing of the Lennon—McCartney Songs, Compton, Journal of Popular Culture, Vol. 22, N02, Fall 1988. "The Fine Art of Rap", Shusterman, New Literary History, Vol. 22, N03, Summer 1991. "Music Videos, Performance and Resistance: Feminist Rappers", Roberts, Journal of Popular Culture, Vol. 25, N02, Fall 1991. "The Music of ‘The Cherry Orchard’: Repetitions in the Russian Text", Anderson, Modern Drama, Vol. 34, N03, September 1991. "Amadeus and Mozart", A. Peter Brown, The American Scholar, Vol. 61, N01, Winter 1992. "Bands, Bandmasters, and Bandstands: A Search for Public Support in Democracy", Erwin, Journal of American Culture, Vol. 9, N03, Fall 1986. "Rich Rastas and Communist Rockers: A Comparative Study of the Origin, Diffusion and Defusion of Revolutionary Musical Codes", Cushman, Journal of Popular Culture, Vol. 25, N03, Winter 1991. MUSIC (4) "The Politics of Dancing: When Rock ‘n’ Roll Came to Australia", Sturma, Journal of Popular Culture, Vol. 25, N04, Spring 1992. "Nat King Cole", Teachout, The American Scholar, Vol. 61, N03, Summer 1992. "‘The Tying of the Garter’: Representations of the Female Rural Laborer in 17th—, 18th—, and 19th— Century English Bawdy Songs", Preston, Journal of American Folklore, Vol. 105, N0417, Summer 1992. "The Musical Heritage of Africa", Nketia, Daedalus, Vol. 103, N02, Spring 1974. "La Pistola y El Corazon: Protest and Passion in Mexican—American Popular Music", Lewis, Journal of Popular Culture, Vol. 26, N01, Summer 1992. "Romancing the Record: The Vinyl De—Evolution and Subcultural Evolution" Plasketes, Journal of Popular Culture, Vol. 26, N01, Summer 1992. "Contemporary Christian Music: Where Rock Meets Religion", Howard, Journal of Popular Culture, Vol. 26, N01, Summer 1992. "‘Tis Sweet to Be Remembered: Independent Radio Performance Pioneer Bradley Kincaid", Ganzert, Journal of American Culture, Vol. 15, .N03, Fall 1992. ‘‘Paint It Black: Rock Music and Vietnam War Film’’, Reitinger, Journal ofAmerican Culture, Vol. 15, N03, Fall 1992. "Roll Over Beethoven, Tell Martin Luther the News: Ameican Evangelicals and Rock Music", Romanowski, Journal of AmericanCulture, Vol. 15, N03, Fall 1992. "Alexander Zemlinsky", Barlow, American Scholar, Autumn 1992. "Bluegrass Today", Rosenberg, Journal of American Folklore, Vol. 105, N0418, Fall 1992. "Piano Prodigy", Lipman, The American Scholar, Vol. 62, N01, Winter 1993. "The Pentagon’s Top Guns: Movies and Music", Journal of American Culture, Vol. 12, N03, Fall 1989. "Money For Nothin’ and the Charts for Free: Rock and the Movies", Romanowski and Denisoff, Journal of Popular Culture, Vol. 21, N03, Winter 1987. "Convergence, Divergence, and Dialectic in Folksong Paradigms: Critical Directions for Transatlantic Scholarship", Porter, Journal of American Folklore, Vol. 106, N0419, Winter 1993. "Wild Child: Jim Morrison’s Poetic Journeys", Magistrale, Journal of Popular Culture, Vol. 26, N03, Winter 1992. "Soviet Teens of the 1970s: Rock Generation, Rock Refusal, Rock Context", Dobrotvorskaja, Journal of Popular Culture, Vol. 26, N03, Winter 1992. "The Devil Sings the Blues: Heavy Metal, Gothic Fiction and ‘Postmodern’ Discourse", Wall—Hinds, Journal of Popular Culture, Vol. 26, N03, Winter 92. "99 Years is Almost for Life: Punishment for Violent Crime in Bluegrass Music", Tunnell, Journal of Popular Culture, Vol. 26, N03, Winter 1992. "Comedy and Humor in Country Music", Cusic, Journal American Culture, Vol. 16, N02, Summer 1993. "Madonna", Allen, Journal of Popular Culture, Vol. 27, Summer 1993. "Literacy and a Popular Medium: The Lyrics of Bruce Springsteen", Branscornb, Journal of Popular Culture, Vol. 27, N01, Summer 1993. "Looking Through a Glass Onion: Rock and Roll as Modern Manifestation of Carnival", Kohl, Journal of Popular Culture, Vol. 27, N01, Summer 1993. MUSIC (5) "No Gambling at the Casino Paganini (Violinist)", Ferguson, The American Scholar, Vol. 63, N01, Winter 1994. "JFK as Jesus: The Politics of Myth in Phil Och’s ‘Crucifixion’ (folksinger)", Niemi, Journal of American Culture, Vol. 16, N04, Winter 1993. "L’art de l’interprète", Schonberg, Dialogue, Vol. 4, N03, 1973. "Commercialization of the Rap Music Youth Subculture Blair, Journal of Popular Culture, Vol. 27, N03, Winter 1993. "The Pendulum of Cultural Imperialism: Popular Music Interchanges Between the U.S. and Britain, 1943—67", Cooper, Journal of Popular Culture, Vol. 27, N03, Winter 1993. "From Natchez to Mobile, From Memphis to St. Joe", Zinsser, The American Scholar, Vol. 63, N02, Spring 1994. "Oral History and Music", Perlis, Journal of American History;’ Vol.81, N02, September 1994. "Irrepressible Conflict: Differences Between Northern and Southern Songs of the Civil War", Moseley, Journal of Popular Culture, Vol.25, N02, Fall 1991. "The Reverend Lamar Roberts and the Mediation of Oral Tradition" (folksinger), Minton, Journal of American Folklore, Vol.108, N0427, Winter 1995. "Hegel, Beethoven, Wordsworth: 1770—1970", Gross, The American Scholar, Vol.40, N01, Winter 1970—71. "‘The Only True Folksongs We Have in English’:
James Russell Lowell and the Politics of the Nation" (on his 1855
lecture on the ballad), Bell; "Jazz, Rock’n’Roll, Rap and Politics", Bernard—Donals, Journal of Popular Culture, Vol;28, N02, Fall 1994. FORUM: Learning to play music from the people we study
"Understanding and Producing the Variability of Oral Tradition:
Learning from a Bulgarian Bagpiper",Rice; "Picking Myself Apart:
A Hoosier Memoir", Rosenberg; "Bi—Musicality as Metaphor",
Titon; COMMENT S "The Bloody Heart of Rock ‘n’ Roll: Images of Popular Music in Contemporary Speculative Fiction", Sanjek, Journal of Popular Culture, Vol.28, N04, Spring 1395. "Gender Politics and Musical Performers in the Isten Gyjilekezet: A Fieldwork Account", Lange, Journal of American Folklore, Vol.109, N0431, Winter 1996."Populist Rock in Postmodern Society: John Cougar
Mellencamp in Perspective", van Elteren; "From ‘Alabama’ to A Love Supreme: The Evolution of the John Coltrane Poem" (his influence of Jazz on poetry), Feinstein, The Southern Review, Vol.32, N02, Spring 1996. "Media Form and Cultural Space: Negotiating Rap ‘Fanzines’", Forman, Journal of Popular Culture, Vol.29, N02, Fall 1995. "Yes, It’s True: Zimbabweans Love Dolly Parton", Zilberg, Journal of Popular Culture, Vol.29, N01, Summer 1995. MUSIC (6) "Bob Marley’s ‘Redemption Song’: The Rhetoric
of Reggae and Rastafari", King & Jensen; "Native Hermeneutics: Traditional Means of Interpreting Lyric Songs in Northern Europe", Dubois, Journal of American Folklore, Vol.109, N0433, Summer 1996. "The Future of ‘No Future’: Punk Rock and
Postmodern Theory", Davies; "‘Old Can Be Used Instead of New’: Shape—Note Singing and the Crisis of Modernity in the New South, 1880— 1920", Campbell, Journal of American Folklore, vol. 110, N0436, Spring 1997. "‘The Yellow Rose of Texas’: A Different Cultural View" (on how the folksong was inspired by Emily D. West), Harris, Callaloo, vol.20, N01, Winter 1997. "The Double Meaning of the Spirituals", Lawrence—McIntyre, Journal of Black Studies, vol.17, N04, June 1987. "Cafe Tacuba: Forging a New Mexican Identity" (Mexican rock group), Dillon; "‘My Guitar is Not for the Rich’: The New Chilean Song Movement and the Politics of Culture", Taffet; Journal of American Culture, Vol.20, N02, Summerl997. "Entering the Pit: Slam—dancing and Modernity" (type of dancing related to punk and hardcore music), Simon, Journal of Popular Culture, Vol.31, N01, Summer 1997. "Inventing Selves: Images and Image—Making in a Japanese Popular Music Genre" (enka), Yano, Journal of Popular Culture, Vol.31, N02, Fall 1997. "Terror Translated into Comedy: The Popular Music Metamorphosis of Film and Television Horror, 1956—1991, Cooper, Journal of American Culture, Vol.20, N03, Fall 1997. Back to Search Page
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