Henry S.Cornmager/Two American artists (Robert Henri) Dialogue, Vol.3, No.3, 1970.

Peintures U.S.A.: (tendances modernes)
Hilton Kramer: l’école de New York
David L.Shirey: David Smith, l’homme de fer
Lloyd Goodrich: Le monde visionnaire de Ryder, Dialogue,Vol.2, No.1 , 1971.

James R.Mellow / un salon artistique et littéraire Dialogue,Vol.2, No.1, 1971.

"What is Painting?", Michael Polanyi, The American Scholar, Vol.39, No.4, Autumn 1970.

"Prints by four New York Painters", Helen Frankenthaler, (Jasper Johns, Robert Motherwell, Barnet Newman), The American Scholar, Vol.39, No.3, Summer 1970.

"L’art de Jackson Pollok", William Rubin. Dialogue, Vol.6, No.3, 1975.

"Jackson Pollock at Work: An Interview with Lee Krasner", B. Rose, Partisan Review, Vol.47, No.1, 1980.

"On the Humanity of Abstract Painting", M. Schapiro. Dialogue, No.50 4/1980.

"Portfolio; Abstract Art in America", B. Rose. Dialogue, No.50, 4/1980.

"An Interview with Philip Guston", M. Stevens. Dialogue, No.51, 1/1981.

"Edward Hopper: American Realist", J. Canaday, Dialogue, No.54, 4/1981.

"Dans le sillage de l’Armory Show: Immaculés et Objectivistes", Saunier-Ollier, Revue Française d’Etudes Américaines, No.7, Avril 1979.

"American Indian Painting", J. Highwater. Dialogue, No. 56, 2/ 1982.

"Sir Isu;bras, M.P.: Millais's Painting and Political Cartoons", Julie F. Cidell, Journal of Popular Culture, Vol.22, No.3, Winter 1988.

"Popular Art Forms as Sources for Goya's Series on the Bandit El Maragato", Ruth Pike Journal of Popular Culture, Vol . 21, No.1, Summer 1987.

"By’n By Hard Times...Emma Johnson's "Life at the South" and and American Minstrelsy", by Sue Bridwell Beckharn, Journal of American Culture, Vol.6, No.3, Fall 1983.

"Th.e Beauty Parlor Mirror: Reflections of a Tradition", Paul Grootherk, Journal of American Culture, Vol. 11, No.2, Summer 1988.

"Courbet, Bronzino, and Blasphemy", New Literary History, Vol. 22, No.3, Summer 1991.

"Leonora Carrington and Max Ernst: Artistic Partnership and Feminist Liberation", Hubert, New Literary History, Vol. 22, No.3, Summer 1991.

"At The Galleries", Karen Wilkin, Partisan Review, No.3, 1991.

"Some Western Paintings of W.H.D. Koerner", Grover Journal of American Culture, Vol. 14, No.2, Summer 1991.

"The Plains and the Painters: Two Centuries of Landscape Art from the Llando Estacado", Flores, Journal of American Culture, Vol. 14, No.2, Summer 1991.

"Robert Motherwell 1915-1991", Wilkin, Partisan Review, Vol. 58, No.4, 1991.

PAINTING (2)

"Georgia 0’Keeffe’s Radiator Building: Icon of Glamorous Gotham", Dean, Revue Française d’Etudes Américaines, No.11, Avril 1981.

"Rapports de style dans l’oeuvre de Frank O’Hara: de la poésie la peinture", Lussan, Revue Française d’Etudes Américaines, No. 15, Novembre 1982.

"Matisse at MOMA", Wilkin, Partisan Review, Winter, No.1, 1993.

"Bathsheba or the Interior Bible (Rembrandt)", Cixous, New Literary History, Vol. 24, No.4, Autumn 1993.

"Metaphysics of the Image in Charles Wright and Paul Cézanne", Bond, The Southern Review, Vol. 30, No.1, Winter 1994.

"German Expressionist Artist Karl Hofer", Reichman and Hagemann, Journal of Popular Culture, Vol.22, No.4 Spring 1989.

"A Grammar of the Sublime, or Intertextuality Triumphant in Church, Turner, and Cole", Wolf;
"Sublime or Ridiculous? Turner and the Problem of the Historical Figure", Wilton;
"Seascapes of the Sublime: Vernet, Monet, and the Oceanic Feeling", Levine;
New Literary History, Vol. 16, No.2, Winter 1985.

"Representation, Copying, and the Technique of Originality", Shiff, New Literary History, Vol. 15, No.2, Winter 1984.

"Jonathan Richardson: The Painter as Biographer", Wendorf;
"Space and Convention in Eugène Fromentin: The Algerian Experience", Christin;
"Max Ernst: The Displacement of the Visual and the Verbal", Hubert;
New Literary History, Vol. 15, No.3, Spring 1984.

"Painting after Gertrude Stein", Cope, Diacritics, Vol. 24, No.2-3, summer—fall 1994.

"An Interview with Helen Frankenthaler" (the painter discusses art scene from fifties onward), Partisan Review, Vol.61, No.2, 1994.

"At the Galleries" (Freud, Forge, Gibson, Mellman, Gorky, Diebenkorn), Wilkin, Partisan Review, Vol.61, No.2 Spring 1994.

"Life on the Project" (excerpt from a biography of Lee Krasner and Jackson Pollock), Partisan Review, Vol.52, No.2, 1985.

Jasper Johns: Two Views
"A Giant of Contemporary Art", Russel;
"A Modest Talent", Kramer;
Dialogue, Vol.11, No.3, 1978. (in French Dialogue, Vol. 10, No.1, 1979.)

"The Miss Etta Cones, the Stems, and M’sieu Matisse: a Memoir", Cone, The American Scholar, Vol.42, No.3, Summer 1973.

"Visual and Verbal Translation of Myth: Neptune in Virgil, Rubens, Dryden", Brower, Daedalus, Vol.101, No.1, Winter 1972

"My First New York Show" (on hardships of being unknown), Olitski, Partisan Review, Vol.56, No.1, 1989.

"The Guido Riccoi controversy and resistance to critical thinking" (on frescoes believed to be by Simone Martini), Moran & Mallory, Syracuse Scholar, Vol.11, No.1, Spring 1991.

"Brenda Atwood, Works: 1991-1993", The New Renaissance, Vol.9, No.2, Spring 1995.

"At the Galleries" (Rubens, Savinio, Guston, Noland, Nathanson, Lucier), Wilkin, Partisan Review, Vol.62, No.3, Summer 1995.

PAINTING (3)

"Perspective, Panofsky, and the Philosophy of History", Moxey;
"Ritual Violence: Courbet and George Sand", Huet;
New Literary History, Vol.26, No.4, Autumn 1995.

"Whatever Happened to the Graffiti Art Movement?", Powers, Journal of Popular Culture, Vol.29, No.4, Spring 1996.

"Looking at Hopper: An Art of Subtraction" (on Edward Hopper), Dickstein, Dissent, Winter 1997.

"An Interview with Alessandro Cesar" (a Brazilian painter; preceded by a portfolio of his paintings), Rowell, Callaloo, Vol.19, No.3, 1996, p.719.

"Picasso Surviving", Berman, Dissent, Spring 1997.

"An Interview with Kerry James Marshall" (American artist; preceded by a portfolio of his paintings), Rowell, Callaloo, Vol.21, No.1, Winter 1998.

"An Interview with José Maria Capricorne" (Caribbean painter), Rowell, Callaloo, vol.21, No.3, Summer 1998.

"David Gilmour Blythe: A Newly Discovered Painting of Lincoln", Cox, Journal of American Culture, Vol.21, No.2 Summer 1998.

"Face—to—Face with History", Bann, New Literary History, Vol.29, No.2, Spring 1998.