"Le monde et l'œil du photographe
"La photographie américaine contemporaine" Douglas Davis
"Introduction à l'holographie" Isaac Asimov
"Ansel Adams et la recherche de la perfection" Wallace Stegner
"La photographie; une nouvelle forme d'art" John Szarkowski
"Qu'est ce que la photographie?" Rudolf Anneheim, Dialogue vol 18, No.1

"Learning from the Fotomat" James C. A. Kaufmann, The American Scholar, Vol. 49, No.2, Spring 1980.

"The Photography of Diane Arbus" L. Brill, Journal of American Culture, vol. 5, No.1, Spring 1982.

"On Reading Photographs" Richard Rudisill, Journal of Popular Culture, vol. 5, n⁰3, Fall 1982.

"Audience Reception of Diane Arbus' Photographs" Zoë Smith, Journal of American Culture, Vol. 8, No. 1, Spring 1985.

"Doris Ullmann and The Mountain Folk" Ruth A. Barnes, Journal of American Culture, Vol.8, No. 1, Spring 1985.

"Experiencing Photographs: Sontang, Barthes and Beyond" Larry Hickman, Journal of American Culture, Vol.7, No.4, Winter 1984.

"The Sociovidistic Wisdoms of Abby and Ann: Toward an Etiquette of Home Made Photography" Richard Chalfen, Journal of American Culture, Vol.7, No.1-2, Spring-Summer 1984.

"Photography as communication" David Nye, Journal of American Culture, Vol.9, No.3, Fall 1986.

""To Look on, to Analyse, To Explain Matters to Myself": The Photographer as Historian" Marni Sand-Weiss. Journal of American Culture, Vol.5, No.4, Winter 1982.

"Early American Commercial Photography: Origins, Techniques and Esthetics" David E. Nye, Journal of American Culture, Vol.6, No.3, Fall 1983.

"The Analysis of Photographic Style: A Systems Approach" Rebecca Bryant Lockridge, Journal of American Culture, Vol.11, No.1, Spring 1988.

"Seeing Mapplethorpe", Jed Perl. Partisan Review, vol. LVI, No. 4, Fall 1989.

"Picturing Our Past: An Archive Constructs a National Culturée, Becker, Journal of American Folklore, Vol. 105, No.415, Winter 1992.

"To Everything There is a Season: A Photo essay of a Farmer's Market", Heisley, McGath, Sherry, Journal of American Culture, Vol. 14, No.3, Fall 1991.

"Refraining the Family Photograph", Reiakvam, Journal of Popular Culture, Vol. 26, No.4, Spring 1993.

"Icons on Iwo", Bertelsen, Journal of Popular Culture, Vol. 22, No.4, Spring 1989.

"Flaubert, Love, and Photography", Wood, The Southern Review, Vol. 30, No.2, Spring 1994.

PHOTOGRAPHY (2)

"Stereography and the Standardization of Vision" Fowles, Journal of American Culture, Vol.17, No.2, Summer 1994.

SPECIAL ISSUE: Autobiography, Photography, Narrative

"Autobio-Photography: Images of the Self and the Self's Cultures, Beauty and the "I" of the Beholder" Martin;
"The Impossible Photograph: Hippolyte Bayard's Self-Portrait as a Drowned Man", Sapir;
"Cartier-Bresson: Between Autobiography and Image", Stoekl;
"Not Losing Her Memory: Stories in Photographs, Words and Collages", Leonard (photographer);
Modern Fiction Studies, Vol.40, No.3, Fall 1994.

"Cultural aspects of nineteenth century American photography", Gidley, RANAM, N⁰XIV, 1981.

"'Polaroids from Heaven': Photography, Folk Religion, and the Miraculous Image Tradition at a Marian Apparition Site", Wojcik, Journal of American Folklore Vol.109, No.432, Spring 1996.

"Enduring Image of War: Myth and Ideology in a Newsweek Cover", Lule, Journal of Popular Culture, Vol.29, No.1, Summer 1995. (on news photographs).

"'Blackheads': Photographs of Black Male Writers", a portfolio by Thomas Sayers Ellis, Callaloo, Vol.19, No.3, 1996, p.745.

"Photographic Relations: Laura Gilpin, Willa Cather", Goldberg, American Literature, Vol.70, No.1, March 1998.

"'The true witness of a false event': Photography and Wright Morris's Fiction of the 1950s", Barrett, Western American Literature, Vol.33, No.1, Spring 1998.

"Walking the Ethnic Tightwire: Ethnicity and Dialectic in Jacob Riis' How the Other Half Lives" (includes some of the photographs), Hug, Journal of American Culture, Vol.20, No.4, Winter 1997.